Tuesday, 31 January 2017
Saturday, 28 January 2017
Group Work- Construction process 3
The following video shows the process of editing in which takes place again in Leake street tunnel. Zacaria has used a fade out offset in which lasts 0.5 seconds. The transition of these two clips is effective due to the scene of the music video also changing. Zacaria then went back to the beginning of the music video to watch and try to spot any mishaps or mistakes within the edit thus far.
The next scene in which is shown in the video is actor
changing location. As seen in the video the use of the magnifying tool on the
timeline is used to change the clips per frame. This tool is very useful in the
editing the music video as it allows the video to be edited more specifically,
this technique allowed us to cut the clip precisely where the actor goes out of
frame and subsequently changes shot location. This is effective as it helps
provide continuity and allows the audience to keep guessing as to where the
actor went.
The next shot in which we used was a editing technique in
which Zacaria used is a zoom, the zoom effective was used in the alleyway of
the Chinatown location and is very useful in making the alley way look longer
than it was originally. The use of the zoom is constructed by using the
magnifying tool on Sony Vegas. This is then combined the with speed of the clip
to alter the speed.
After this scene the repition of the cut was used to a black
screen. This was achieved by cutting the clip at the point of which preferred
and then repeating this motion several time on the timeline bar, this effective
is very effective in creating separation throughout the music video and
specifically in particular this scene.
There was a subtle fade used by Zacaria, which instead of
faded into black faded into the next clip directly. This effect was successful in bringing a new element to
the music video and one not previously used in the video. The effect is used by
through the use of once again the fade in tool. Zacaria then faded the two
clips together with the image of the polaroid picture in between the two clip
by placing the image between the two on the timeline.
Summary by: Jack Baxter and Doaa Elmnayneh
Thursday, 26 January 2017
Wednesday, 25 January 2017
Group Work- Construction process 2
When starting the new scene the editor once again uses the technique of placing all of the clips onto the timeline, this is too sort the continuity of the music video and ensure the clips are in order to the story board. The editor then used the quick selection tool and chose multiple clips and move them across the timeline, this is a useful tool as it allows large numbers of clips to be moved and edited at once. The editor has then used an effect called “strobe” this effect is apparent in the video when the actor is walking through the tunnel with the flare lit. The effect is used by implement fades over images and then changing the opacity of a clip that is placed behind the same clip on the timeline. The strobe effect was used a magnitude of times throughout this time period of the video and allows the consumers to feel the significance of this particular scene.
The editor then used a zoom tool over the clips to enlarge
the lyrics as if the consumer is walking with the actor. This is a powerful
image and shows that the audience is hopefully going to be more engaged and
feel part of the music video. Throughout the construction process of our video
it is clear to see through the video that the repition of reviewing the clips
was prominent in our work, Due to the timeline feature we were able to edit and
change parts of the music video in which we did not feel met the length
requirements or the editing could be tampered with.
As seen in the construction process above the velocity of
the clips were changed during the process of making, this was achieved by
clicking the timeline on the selected clips and then moving the velocity line
either up or down depending on the change being made. The editor in this clip
was changing the velocity down and making the clip run smoother and slower. The
use of the effect makes the music video contain more visual effects and make
the segment slower so throughout the music video show progression, as the sped
will increase as the journey intensifies. This tool was later used again on the
scene in which the actor is holding the flare.
After this Zacaria has then returned to the beginning of the
music video due to the clip lengths needing to be altered at the start of the
video. This was a problem consistently throughout the music video construction
process and one in which was consistently changed throughout the construction
process.
Sunday, 22 January 2017
Rushes- Final Draft
Rushes
|
Content
|
Condition: Excellent/acceptable/non acceptable.
|
Length/time code:
|
Audio yes/no
|
1
|
Establishing long shot of
the water
|
Acceptable
|
00:12
|
NO
|
2
|
Over the shoulder shot of
the actor looking into the water
|
Not acceptable
|
00:11
|
NO
|
3
|
Over the shoulder shot of
the actor looking into the water
|
Acceptable
|
00:09
|
NO
|
4
|
Long shot showing the bridge
|
Excellent
|
00:08
|
NO
|
5
|
Wide angle shot with gradual zoom of the canal
|
Not acceptable
|
00:11
|
NO
|
6
|
Wide angle shot with gradual zoom of the canal
|
acceptable
|
00:15
|
NO
|
7
|
Over the shoulder shot of the actor
|
Excellent
|
00:07
|
NO
|
8
|
Low angle shot of the actor grabbing his bag
|
Not acceptable
|
00:15
|
NO
|
9
|
Low angle shot of the actor grabbing his bag
|
Not acceptable
|
00:05
|
NO
|
10
|
Low angle shot of the actor grabbing his bag
|
Acceptable
|
00:08
|
NO
|
11
|
medium shot going into an extreme close up of a polaroid picture
|
Not acceptable
|
00:05
|
NO
|
12
|
medium shot going into an extreme close up of a polaroid picture
|
Not acceptable
|
00:16
|
NO
|
13
|
medium shot going into an extreme close up of a polaroid picture
|
Acceptable
|
00:20
|
NO
|
14
|
Close up of hands folding the pictures
|
Not acceptable
|
00:09
|
NO
|
15
|
Close up of hands folding the pictures
|
Not acceptable
|
00:22
|
NO
|
16
|
Close up of hands folding the pictures
|
Acceptable
|
00:08
|
NO
|
17
|
Medium shot of actor walking away
|
Not acceptable
|
00:16
|
NO
|
18
|
Medium shot of actor walking away
|
Excellent
|
00:12
|
NO
|
19
|
Low angle shot of the sky
|
No acceptable
|
00:20
|
NO
|
20
|
Low angle shot of the sky
|
Not acceptable
|
00:09
|
NO
|
21
|
Low angle shot of the sky
|
Acceptable
|
00:07
|
NO
|
22
|
Long shot of actor walking down stairs
|
Not acceptable
|
00:08
|
NO
|
23
|
Long shot of actor walking down stairs
|
Not acceptable
|
00:07
|
NO
|
24
|
Long shot of actor walking down stairs
|
Not acceptable
|
00:12
|
NO
|
25
|
Long shot of actor walking down stairs
|
Not acceptable
|
00:09
|
NO
|
26
|
Long shot of actor walking down stairs
|
Acceptable
|
00:16
|
NO
|
27
|
Medium shot of actor walking down the stairs
|
Excellent
|
00:08
|
NO
|
28
|
Medium shot of the actor walking towards camera
|
Not acceptable
|
00:23
|
NO
|
29
|
Medium shot of the actor walking towards camera
|
Acceptable
|
00:12
|
NO
|
30
|
Medium shot of the actor walking away
|
Not acceptable
|
00:09
|
NO
|
31
|
Medium shot of the actor walking away
|
Not acceptable
|
00:16
|
NO
|
32
|
Medium shot of the actor walking away
|
Not acceptable
|
00:15
|
NO
|
33
|
Medium shot of the actor walking away
|
Not acceptable
|
00:12
|
NO
|
34
|
Medium shot of the actor walking away
|
Acceptable
|
00:07
|
NO
|
35
|
Close up of actors facial expressions
|
Not acceptable
|
00:08
|
NO
|
36
|
Close up of actors facial expressions
|
Not acceptable
|
00:07
|
NO
|
37
|
Close up of actors facial expressions
|
Not acceptable
|
00:20
|
NO
|
38
|
Close up of actors facial expressions
|
Not acceptable
|
00:25
|
NO
|
39
|
Close up of actors facial expressions
|
Excellent
|
00:08
|
NO
|
40
|
Medium shot of change of scenery
|
Not acceptable
|
00:09
|
NO
|
41
|
Medium shot of change of scenery
|
Acceptable
|
00:08
|
NO
|
42
|
Low angle shots showing the scenery
|
Not acceptable
|
00:20
|
NO
|
43
|
Low angle shots showing the scenery
|
Not acceptable
|
00:16
|
NO
|
44
|
Low angle shots showing the scenery
|
Acceptable
|
00:09
|
NO
|
45
|
New scene introduced by the close up
|
Not acceptable
|
00:05
|
NO
|
46
|
New scene introduced by the close up
|
Not acceptable
|
00:13
|
NO
|
47
|
New scene introduced by the close up
|
Acceptable
|
00:10
|
NO
|
48
|
Medium close up of actor
|
Not acceptable
|
00:06
|
NO
|
49
|
Medium close up of actor
|
Not acceptable
|
00:12
|
NO
|
50
|
Medium close up of actor
|
Not acceptable
|
00:24
|
NO
|
51
|
Medium close up of actor
|
Acceptable
|
00:11
|
NO
|
52
|
Long shot of the tunnel
|
Not acceptable
|
00:15
|
NO
|
53
|
Long shot of the tunnel
|
Not acceptable
|
00:07
|
NO
|
54
|
Long shot of the tunnel
|
Not acceptable
|
00:12
|
NO
|
55
|
Long shot of the tunnel
|
Acceptable
|
00:08
|
NO
|
56
|
Flare is used from a wide angle shot
|
Excellent
|
00:12
|
NO
|
57
|
Second shot the of the flare being lit on the other end of the tunnel
|
Excellent
|
00:06
|
NO
|
58
|
Extreme close up of the actors face
|
Not acceptable
|
00:09
|
NO
|
59
|
Extreme close up of the actors face
|
Acceptable
|
00:09
|
NO
|
60
|
Medium shot of the actor walking towards camera
|
Not acceptable
|
00:12
|
NO
|
61
|
Medium shot of the actor walking towards camera
|
Not acceptable
|
00:16
|
NO
|
62
|
Medium shot of the actor walking towards camera
|
Acceptable
|
00:08
|
NO
|
63
|
high angle shot of the homeless man on the floor
|
Not acceptable
|
00:17
|
NO
|
64
|
high angle shot of the homeless man on the floor
|
Not acceptable
|
00:12
|
NO
|
65
|
high angle shot of the homeless man on the floor
|
Not acceptable
|
00:13
|
NO
|
66
|
high angle shot of the homeless man on the floor
|
Acceptable
|
00:10
|
NO
|
67
|
Medium shot of the actor looking at the homeless man
|
Not acceptable
|
00:27
|
NO
|
68
|
Medium shot of the actor looking at the homeless man
|
Not acceptable
|
00:12
|
NO
|
69
|
Medium shot of the actor looking at the homeless man
|
Acceptable
|
00:12
|
NO
|
70
|
POV shot showing the perspective of actor
|
Not acceptable
|
00:13
|
NO
|
71
|
POV shot showing the perspective of actor
|
Not acceptable
|
00:11
|
NO
|
72
|
POV shot showing the perspective of actor
|
Not acceptable
|
00:06
|
NO
|
73
|
POV shot showing the perspective of actor
|
Acceptable
|
00:08
|
NO
|
74
|
Wide shot of actor sitting next to the homeless man
|
Not acceptable
|
00:16
|
NO
|
75
|
Wide shot of actor sitting next to the homeless man
|
Not acceptable
|
00:19
|
NO
|
76
|
Wide shot of actor sitting next to the homeless man
|
Acceptable
|
00:08
|
NO
|
77
|
Medium shot of the homeless man
|
Excellent
|
00:12
|
NO
|
78
|
Wide shot of the tunnel entrance.
|
Not acceptable
|
00:07
|
NO
|
79
|
Wide shot of the tunnel entrance.
|
Not acceptable
|
00:09
|
NO
|
80
|
Wide shot of the tunnel entrance.
|
Not acceptable
|
00:09
|
NO
|
81
|
Wide shot of the tunnel entrance.
|
Acceptable
|
00:12
|
NO
|
82
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:07
|
NO
|
83
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:08
|
NO
|
84
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:11
|
NO
|
85
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:16
|
NO
|
86
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:08
|
NO
|
87
|
Wide shot of the actor entering the bus
|
Not acceptable
|
00:21
|
NO
|
88
|
Wide shot of the actor entering the bus
|
Acceptable
|
00:10
|
NO
|
89
|
Close up of a actor looking out of the window.
|
Not acceptable
|
00:07
|
NO
|
90
|
Close up of a actor looking out of the window.
|
Not acceptable
|
00:15
|
NO
|
91
|
Close up of a actor looking out of the window.
|
Acceptable
|
00:12
|
NO
|
92
|
Wide shot of actor exiting the bus
|
Excellent
|
00:16
|
NO
|
93
|
Wide shot of actor in chinatown
|
Not acceptable
|
00:19
|
NO
|
94
|
Wide shot of actor in chinatown
|
Not acceptable
|
00:07
|
NO
|
95
|
Wide shot of actor in china town on the other side
|
Not acceptable
|
00:09
|
NO
|
96
|
Wide shot of actor in china town on the other side
|
Acceptable
|
00:08
|
NO
|
97
|
Close up of actor looking around chinatown
|
Not acceptable
|
00:14
|
NO
|
98
|
Close up of actor looking around Chinatown
|
Not acceptable
|
00:12
|
NO
|
99
|
Close up of actor looking around Chinatown
|
Not acceptable
|
00:16
|
NO
|
100
|
Close up of actor looking around chinatown
|
Acceptable
|
00:05
|
NO
|
101
|
Time lapse of china town scene
|
Excellent
|
00:09
|
NO
|
102
|
Close up of actor looking into window
|
Not acceptable
|
00:04
|
NO
|
103
|
Close up of actor looking into window
|
Not acceptable
|
00:09
|
NO
|
104
|
Close up of actor looking into window
|
Not acceptable
|
00:08
|
NO
|
105
|
Close up of actor looking into window
|
Acceptable
|
00:10
|
NO
|
106
|
Extreme close up of the Asian themes
|
Not acceptable
|
00:12
|
NO
|
107
|
Extreme close up of the Asian themes
|
Not acceptable
|
00:17
|
NO
|
108
|
Extreme close up of the Asian themes
|
Acceptable
|
00:16
|
NO
|
109
|
Wide shot of the actor showing the location
|
Not acceptable
|
00:10
|
NO
|
110
|
Wide shot of the actor showing the location
|
Acceptable
|
00:12
|
NO
|
111
|
Shot of actor jumping over obstacles.
|
Not acceptable
|
00:16
|
NO
|
112
|
Shot of actor jumping over obstacles.
|
Acceptable
|
00:13
|
NO
|
113
|
Next scene is a POV shot of the actor on roller-skates
|
Not acceptable
|
00:07
|
NO
|
114
|
Next scene is a POV shot of the actor on roller-skates
|
Acceptable
|
00:05
|
NO
|
115
|
Medium shot of the actor in new location
|
Not acceptable
|
00:04
|
NO
|
116
|
Medium shot of the actor in new location
|
Not acceptable
|
00:26
|
NO
|
117
|
Medium shot of the back walking away
|
Not acceptable
|
00:16
|
NO
|
118
|
Medium shot of the back walking away
|
Acceptable
|
00:08
|
NO
|
119
|
Long shot oh the Northolt hills
|
Not acceptable
|
00:12
|
NO
|
120
|
Long shot oh the Northolt hills
|
Acceptable
|
00:20
|
NO
|
121
|
Wide shot of the actor walking up the hill
|
Not acceptable
|
00:09
|
NO
|
122
|
Wide shot of the actor walking up the hill
|
Not acceptable
|
00:16
|
NO
|
123
|
Wide shot of the actor walking up the hill
|
Acceptable
|
00:09
|
NO
|
124
|
Low angle shot of the roller-skates once again
|
Not acceptable
|
00:11
|
NO
|
125
|
Low angle shot of the roller-skates once again
|
Not acceptable
|
00:06
|
NO
|
126
|
Low angle shot of the roller-skates once again
|
Acceptable
|
00:15
|
NO
|
127
|
Medium shot often actor looking around at the top of the hill
|
Not acceptable
|
00:17
|
NO
|
128
|
Medium shot often actor looking around at the top of the hill
|
Not acceptable
|
00:12
|
NO
|
129
|
Medium shot often actor looking around at the top of the hill
|
Acceptable
|
00:24
|
NO
|
130
|
Extreme close up of the actors face
|
Not acceptable
|
00:12
|
NO
|
131
|
Extreme close up of the actors face
|
Not acceptable
|
00:08
|
NO
|
132
|
Extreme close up of the actors face
|
Acceptable
|
00:10
|
NO
|
133
|
Low angle shot of the actor at the top of the hill
|
Not acceptable
|
00:18
|
NO
|
134
|
Low angle shot of the actor at the top of the hill
|
Not acceptable
|
00:15
|
NO
|
135
|
Low angle shot of the actor at the top of the hill
|
Acceptable
|
00:08
|
NO
|
136
|
Medium shot of the actor looking down the hill
|
Not acceptable
|
00:07
|
NO
|
137
|
Medium shot of the actor looking down the hill
|
Not acceptable
|
00:02
|
NO
|
138
|
Medium shot of the actor looking down the hill
|
Acceptable
|
00:30
|
NO
|
139
|
Medium close up of the actor roller skating down hill
|
Not acceptable
|
00:09
|
NO
|
140
|
Medium close up of the actor roller skating down hill
|
Not acceptable
|
00:19
|
NO
|
141
|
Medium close up of the actor roller skating down hill
|
Not acceptable
|
00:17
|
NO
|
142
|
Medium close up of the actor roller skating down hill
|
Acceptable
|
00:07
|
NO
|
143
|
Low angle shot of the actor on roller skates walking away from the
scene
|
Excellent
|
00:07
|
NO
|
144
|
Medium shot of the actor in new location
|
Not acceptable
|
00:05
|
NO
|
145
|
Medium shot of the actor in new location
|
Not acceptable
|
00:16
|
NO
|
146
|
Medium shot of the actor in new location
|
Not acceptable
|
00:19
|
NO
|
147
|
Medium shot of the actor in new location
|
Acceptable
|
00:08
|
NO
|
148
|
Long shot of the new scene
|
Not acceptable
|
00:04
|
NO
|
149
|
Long shot of the new scene
|
Not acceptable
|
00:06
|
NO
|
150
|
Long shot of the new scene
|
Excellent
|
00:07
|
NO
|
151
|
Medium close up of the actor walking through the park
|
Not acceptable
|
00:12
|
NO
|
152
|
Medium close up of the actor walking through the park
|
Not acceptable
|
00:07
|
NO
|
153
|
Medium close up of the actor walking through the park
|
Acceptable
|
00:04
|
NO
|
154
|
Wide shot of the actor walking with back toward the camera
|
Not acceptable
|
00:21
|
NO
|
155
|
Wide shot of the actor walking with back toward the camera
|
Not acceptable
|
00:09
|
NO
|
156
|
Wide shot of the actor walking with back toward the camera
|
Not acceptable
|
00:08
|
NO
|
157
|
Wide shot of the actor walking with back toward the camera
|
Acceptable
|
00:11
|
NO
|
158
|
Long shot of the actor walking down a pathway in the park
|
Not acceptable
|
00:15
|
NO
|
159
|
Long shot of the actor walking down a pathway in the park
|
Not acceptable
|
00:12
|
NO
|
160
|
Long shot of the actor walking down a pathway in the park
|
Not acceptable
|
00:08
|
NO
|
161
|
Wide shot of the park bench with the actress sitting
|
Acceptable
|
00:10
|
NO
|
162
|
Wide shot of the park bench with the actress sitting
|
Not acceptable
|
00:16
|
NO
|
163
|
Wide shot of the park bench with the actress sitting
|
acceptable
|
00:08
|
NO
|
164
|
Close up of the actor reacting to seeing the actress
|
Not acceptable
|
00:12
|
NO
|
165
|
Close up of the actor reacting to seeing the actress
|
Not acceptable
|
00:09
|
NO
|
166
|
Close up of the actor reacting to seeing the actress
|
Acceptable
|
00:04
|
NO
|
167
|
Over the shoulder shot of the actor looking at the actress
|
Not acceptable
|
00:08
|
NO
|
168
|
Over the shoulder shot of the actor looking at the actress
|
Not acceptable
|
00:16
|
NO
|
169
|
Over the shoulder shot of the actor looking at the actress
|
Acceptable
|
00:09
|
NO
|
170
|
Medium shot of the actress looking at the polaroid picture
|
Not acceptable
|
00:17
|
NO
|
171
|
Medium shot of the actress looking at the polaroid picture
|
Not acceptable
|
00:05
|
NO
|
172
|
Medium shot of the actress looking at the polaroid picture
|
Not acceptable
|
00:12
|
NO
|
173
|
Medium shot of the actress looking at the polaroid picture
|
Excellent
|
00:21
|
NO
|
174
|
Reaction shot of the actor and actress seeing each other
|
Not acceptable
|
00:12
|
NO
|
175
|
Reaction shot of the actor and actress seeing each other
|
Not acceptable
|
00:09
|
NO
|
176
|
Reaction shot of the actor and actress seeing each other
|
Acceptable
|
00:13
|
NO
|
177
|
Close up of actress smiling
|
Excellent
|
00:08
|
NO
|
178
|
Wide shot of the actor and actress walking away together
|
Not acceptable
|
00:16
|
NO
|
179
|
Wide shot of the actor and actress walking away together
|
Not acceptable
|
00:26
|
NO
|
180
|
Wide shot of the actor and actress walking away together
|
Excellent
|
00:24
|
NO
|
Summary by: Doaa Elmnayneh, Jack Baxter and Zacaria Elarichi
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